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Ladies, get your red wine and ice-cream ready for the perfect blend of break-ups, make-ups, awkward moments, sex, new love, Queen Latifah, old love, Abercrombie models, tears, and Ashton Kutcher. “Valentine’s Day” may not live up to the high-points of other ensemble romantic comedies such as “Love, Actually” or “He’s Just Not that Into You,” it will likely please you in a way that only Leonidas and Jake Sully can please...
...order to give context to the disembodied desire of his two lovers, Aciman references a bygone European past, but manages to trivialize it by reducing it to a simple, romantic picture of the Old Country. Both Clara and the protagonist come from an Eastern European, Jewish background and move about in a world with scattered references to Dostoevsky, Rilke, Rohmer, St. Petersburg, Bellagio and Byzantium—one that is faded around the edges like a sepia photograph...
Though “Measure” is full of complex, catchy tracks, each offering a slightly different twist on an old indie pop sound, as a whole the album falls short in its inability to unite such disparate songs into a satisfying record. At over an hour in length, “Measure” struggles to remain cohesive. The band’s decision to explore and indulge all of their musical interests prevents Field Music from putting together what could have been a great record. Nevertheless, the group’s raw talent and invention will certainly...
Other groups are content to rely primarily on good old-fashioned word of mouth. HRDC Publicity Coordinator Isabel Q. Carey ’12 said, “I want the performers to come from as diverse a population in the arts community as possible, so that they will draw as many diverse friend groups as possible within the arts community.” Thus the construction of the program can be a form of publicity itself...
Carter and Elling produced the most interesting sound of the night as they practically interchanged positions, Carter channeling Billie Holiday’s mournfulness with her violin, Elling mimicking the sound of a trumpet. This was obvious on “When I Grow Too Old To Dream,” a 1935 tune which Elling quickly belted out, as if to get the words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time...