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...Little Women, a soldier son in In the Valley of Elah and in Lorenzo's Oil fought valiantly to save her terminally ill child's life. It's no wonder that the overwrought film The Greatest, which features Sarandon as mother coping with the death of her 18 year-old son Bennett (Aaron Johnson), feels so familiar; mad, sad mothers represent a large part of her filmography...
...When demand exceeds supply, it's great for word of mouth but lousy for business. So to secure 3-D screens for their product, some studio bosses have been playing old-fashioned hardball. The week before How to Train Your Dragon opened, the Los Angeles Times reported that "Paramount Pictures is telling theaters that if they don't show the upcoming DreamWorks-produced Dragon on a 3-D screen, then it will withhold from the theater a 2-D version of the movie to play instead ... Many multiplexes only have a single 3-D screen, so not having a conventional...
...diagnose these complaints. First, the 3-D makeover. Yes, it is nothing but Warner Bros.' scheme to fleece an extra $3 or $4 from the moviegoer's pocket. Yes, the retrofit adds nothing to Clash of the Titans, and may detract from the film's old-fashioned vigor, as audience's wait in vain for some big monsters-in-your-lap moment. (And it's rated PG-13 - unlike 300, its recent ancestor in the antique-Greek action genre - so the hacked-off-arm opportunities are also limited.) But at least this transfer to 3-D doesn't substantially darken...
...fill those screens? Consider that last year, eight new films were released in the format: Avatar, Disney's A Christmas Carol, Cloudy with a Chance of Meatballs, Coraline, The Final Destination, Jonas Brothers: The 3D Concert Experience, Monsters vs Aliens and Up (plus 3-D transfers of the old hits Toy Story and Toy Story 2). Of the eight, half were animated features, one was a concert film, one the extension of a horror-movie franchise and the last two, Avatar and A Christmas Carol, live-action pictures in "performance capture" technology. (Watch TIME's video about how Monsters...
...Laura Jaramillo ’10-’11, this anxiety came sooner. Jaramillo’s family left Colombia when she was 12 years old. As an employee of a national telephone company, her father worked to cut off the communications of imprisoned officers of the Revolutionary Armed Forces of Colombia, or FARC. He began receiving phone threats from the rebel group. They heard of people they knew getting kidnapped. The family fled to the U.S. to apply for political asylum, a process that was drawn out over eight years...