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...Menil Collection, one of the city's contemporary-art museums. They were accumulating edgy contemporary art--not just for themselves but also for Enron's new 40-story Cesar Pelli skyscraper. Lea took charge of the firm's art purchases, which included sculptures by Claes Oldenburg and Martin Puryear. The Fastows had plans to be big givers; they channeled $4.5 million, reaped from a $25,000 investment in one of his deals, to the Fastow Family Foundation...

Author: /time Magazine | Title: Speak No Evil | 2/18/2002 | See Source »

...Menil Collection, one of the city's contemporary-art museums. They were accumulating edgy contemporary art--not just for themselves but also for Enron's new 40-story Cesar Pelli skyscraper. Lea took charge of the firm's art purchases, which included sculptures by Claes Oldenburg and Martin Puryear. The Fastows had plans to be big givers; they channeled $4.5 million, reaped from a $25,000 investment in one of his deals, to the Fastow Family Foundation...

Author: /time Magazine | Title: How Fastow Helped Enron Fall | 2/10/2002 | See Source »

Above all, Glimcher sees Pace as a product of its age. It has championed such contemporary artists as Chuck Close, Julian Schnabel and Claes Oldenburg, but has no intention of championing-up-and coming artists today. “Our youngest artist is Kiki Smith––and she’s 40,” he says. “It would probably only be detrimental for a young artist to show with us, as dwarfed between the giants as they would be. We’ve grown up with these people?...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Keeping Pace For Forty Years | 2/1/2002 | See Source »

Above all, Glimcher sees Pace as a product of its age. It has championed such contemporary artists as Chuck Close, Julian Schnabel and Claes Oldenburg, but has no intention of championing up and coming artists today. “Our youngest artist is Kiki Smith––and she’s 40,” he said. “It would probably only be detrimental for a young artist to show with us, as dwarfed between the giants as they would be. We’ve grown up with these people?...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Keeping Pace For Forty Years | 2/1/2002 | See Source »

Running parallel to the anti-war effort during the 1960s and 70s was Pop Art, which, like the Fluxus group, adopted everyday images. However, for Pop artists, these images became art for art’s sake. While Claes Oldenburg, Jasper Johns and Andy Warhol replicated images of consumer culture, rock and roll’s rebellion turned inwards toward the self. Studio 54’s house band, the Velvet Underground, took introspection to its apex, while No Wave bands would perform audienceless in the New York streets as firm proponents of music for music’s sake...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Conceptual Art and Rock and Roll | 12/7/2001 | See Source »

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