Word: oldman
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Dates: during 1980-1989
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...Gary Oldman looks spookily like Joe, with that puckish smile that told the world, "You want me to get away with it." Vanessa Redgrave has, and deserves, many of the best lines as Orton's sardonic agent. Bennett's script is a mine of epigrams and a model of construction (except for a framing device that portrays Lahr as an Orton manque and his wife as a pathetic Ken doll). But the workmanlike style of Director Stephen Frears (My Beautiful Laundrette) emphasizes the drab and the obvious. Frears cannot match the script's sleek malice, so he gets his laughs...
Fred and Ginger they're not. On his best behavior, Sid Vicious (Gary Oldman) pukes for pleasure, throws darts at idlers and smashes his head against the concrete walls of propriety. Then he meets Nancy Spungen (Chloe Webb), a pug- faced groupie from a Philadelphia suburb, and starts living up to his name. As the defiantly incompetent bass player for the Sex Pistols, Sid became the working-class hero and elitists' toy of pre-Thatcher Britain. To the romanticizers of punk anarchy, Sid's abuse of his body, his buddies and his music gave evidence of a rock Rimbaud...