Word: olenska
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Dates: during 1920-1929
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...Hamilton James Vincent Lucy Duane Frances Allen Sillerton Jackson Ian Wolfe Jessie Lefferts Brenda Dahlen Mrs. Henry Van Der Luyden Isabel Irving Mrs. Manson Mingott Katherine Stewart Mr. Henry Van Den Luyden Frank Andrews Julius Beaufort Arnold Korff May Van Den Luyden Susan Blake Newland Archer John Marston Countess Olenska Katharine Cornell The Duke of St. Austrey Robert Hobbs Anastasia Giannina Gatti Stephen Letterblair Albert Tavernier Carlos Saramonte Edouard La Roche Jean Pierre Villon Newland Archer, Jr. Henry Richards...
...former star of "The Green Hat", now appearing at the Wilbur in the stage version of Edith Wharton's "Age of innocence" uses this vehicle as another step toward being claimed one of America's best. As Countess Olenska she takes advantage of every opportunity to display her emotional qualities and gives a delightful performance throughout...
Margaret Ayer Barnes wrote the stage adaptation of Miss Wharton's best seller and she follows the original throughout with few exceptions. The story is the narrative of Countess Olenska's love affairs, both in Europe and in New York. As the play opens the Countess has just returned from Europe after a-shipwrecked first marriage. She settles down on Twenty-Third Street ready to take up again New York social life...
Audiences have now become accustomed to copulation in the theatre and they may wonder how it is that a brief kiss almost causes Newland Archer to leave Mrs. Newland Archer for the Countess Olenska. Today, a playwright would not have used the kiss; but by substituting more ardent gestures he would not have made the situation more compelling. The time of the piece is "the seventies." The troubles of the characters in it are not rendered artificial by the artificialities of its expression, and the graces of a graceful era are retained. Watching the passion and despair of these costumed...
Katharine Cornell is Countess Olenska; swinging her skirts and thrusting her neck forward, she interprets the part according to the grand manner. The most sad, true and unusual scene in the play is made by Arnold Korff. As Julius Beaufort, he launches into a declaration of love for the Countess Olenska, couched in German accents and florid with metaphor, which is the more tragic because it is so nearly ridiculous...