Word: olga
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Dates: during 1960-1969
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Nancy Cox (Olga), Susan Yakutis (Masha), Martin Andrucki (Vershinin), Deborah Holzel (Natasha), Daniel Seltzer (Doctor), Paul Shutt (Kulygin), and practically everyone else-all let their souls pour over the auditorium from time to time if not all the time. Lori Heineman as Irina and Andre Bishop as Andrei go even further than that, opening themselves up to let us see their entire nervous systems almost every second they are on stage. No matter how self-enclosed you are upon arrival at the Loeb during the next two weeks, you simply will not be able to pass up Heineman and Bishop...
Their struggles set these students apart from middle-class student radicals, and they know it. A few, as might be expected, express contempt for college revolutionaries. Olga Mike, 20, who has worked as a domestic and a receptionist while attending N.Y.U., speaks bitterly of "Kids with nothing to do-they don't even go to classes, but they take over a building and sit in it drinking wine." Most of the working-class students share the radicals' opposition to the Viet Nam war and the draft. Many even grant that campus rebels have done some good by awakening...
...education to help chicano communities," says John Gonzales. He hopes to work for a big-city newspaper covering Mexican-American communities. "I know both sides, so I can write as a liaison between the chicano and the white neighborhoods," he says. Education is "the key" to improving society, says Olga Mike, who dreams of becoming an opera singer, but will work first as a teacher. She adds: "I'm not against marchers, but my way is to get through school as fast as I can and learn as much as I can. I say, wait and bide your time...
...titular sisters, Olga, in her late twenties, is the eldest, and she opens and closes the play. Marian Seldes has beautifully caught the quiet suffering of this reluctant schoolteacher, subject to headaches, who is finally forced into still more responsibility as a headmistress. She has the true manner--of a proper spinster schoolmarm, and her sense of duty is reflected in her ramrod-straight carriage...
...actions (for example, a Cupid statue Count Volski admires in his gazebo betrays the childishness of his lecherous tendencies). They also cramp people in space; echo people's forms (often to savegely ironic effect--the statue in Volski's garden next to which Fyodor stands looking up at Olga); and in these ways subtly influence and define people's appearances and actions. Here, however, the influence is one-way. People cannot change objects as they can change other people; objects resemble in order to mirror, to comment. Sirk's characters react at crucial moments against this unchangeability-with-mockery...