Word: olga
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Dates: during 2000-2009
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...those cowards, they should all be killed. Doesn’t her hair look great?” Her thoughts bound from the invisible killers to the way her friend has been made up by the funeral home. But as Rivera’s personal investigation into Olga María’s murder progresses, her thoughts gain a more narrow urgency. Rivera’s postulations span entire pages, as she weaves possible explanations for what has occurred, evoking the terror and despair of El Salvador in the wake of violence...
...novel unfolds, it becomes clear that it is Rivera who possesses multiple personalities. While investigating her friend’s murder, Rivera ends up stealing her friend’s life by sleeping with each of her former lovers. “As if remembering Olga María had injected us with renewed passion, something delicious, something I’ve never felt before.” Rivera’s increasingly sick obsession with her friend’s trysts coincides with the deepening psychological downturn that allows her to formulate political theories and presumed expos?...
...Rivera, “you live on one side and the bad guys live on the other, and there’s miles in between, which is how it should be. But in this country, everything’s all squished together.” As the mystery surrounding Olga María’s murder grows more complex, this declaration becomes terrifyingly true. The people Rivera once thought to be Olga María’s friends and protectors are cast as potential murder suspects. Trusted political figures are grouped together with drug traffickers and terrorists, conspirators...
Moya uses the cloud of suspicion that surrounds Olga María’s murder to illustrate the extent of the corruption in San Salvador as a microcosm of humanity at large and how even the perpetrators of heinous acts can gain impunity with enough power behind them. Rivera’s paranoia and frustration surrounding her friend’s murder only grow as she realizes there is no one above suspicion...
...Mirror” can sometimes become convoluted by Rivera’s disjointed thoughts and seemingly incoherent digressions, but this haziness eventually comes to highlight the distressing and straightforward condemnation that stems from Rivera’s never ceasing obsession. Each time she develops a new theory regarding Olga María’s death, a seemingly innocuous member of society is implicated and a new, authentic layer of wrongdoing is exposed...