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...eventual goal, said Oliveira, is for the technology to be fully integrated into lending organizations, helping to unlock a trillion-dollar small-enterprise economy hidden in the developing world. CORRECTION

Author: By Edward-michael Dussom, CONTRIBUTING WRITER | Title: Aid Org Nets Google Grant | 10/21/2008 | See Source »

According to Sandra C. Oliveira, the EFL’s program manager, the Lab is aiming to release a new version of the screening technology in 18 months. The program will then be further assessed for experimental validity...

Author: By Edward-michael Dussom, CONTRIBUTING WRITER | Title: Aid Org Nets Google Grant | 10/21/2008 | See Source »

Manoel de Oliveira was born in 1908,and made his first film, Douro, Faina Fluvial (Working on the Douro River) in 1931, when he was 22. That documentary, a vital panorama of dockside life in Oporto, Portugal, was shown today, with the director, who will be 100 on December 11, in attendance. Oliveira has been a mainstay in the Cannes competition for a quarter century, providing such sere delights as The Cannibals (with its comic shock of a conclusion), Voyage to the Beginning of the World (Marcello Mastroianni's last great film) and I'm Going Home, with a wonderful...

Author: /time Magazine | Title: Film Country for Old Men | 5/19/2008 | See Source »

...Oliveira carries a cane, but he uses it less for support than as a jaunty prop -twirling it, pointing it at the cheering audience - till you expect him to break into a song-and-dance routine. The cane might be a tribute to his first cinema idol, the dapper French comic Max Linder, who influenced Charlie Chaplin, Oliveira's second idol. In the audience, clearly buoyed by the old man's energy, were other distinguished directors: Cannes Jury President Sean Penn, Marjane Satrapi of Persepolis and a young pup named Clint Eastwood, who will...

Author: /time Magazine | Title: Film Country for Old Men | 5/19/2008 | See Source »

...Internet Movie Database tells us that Oliveira has two films in production. If he keeps going, and his vigor today suggests that's not a problem, he will eclipse Leni Riefenstahl (who released her last movie on her 100th birthday in 2002) as the world's oldest cineaste. And one of the most vital. "Vive le cinema!" he exclaimed before striding offstage. Oliveira is living proof that cinema is a game old men can play with agility and ageless grace...

Author: /time Magazine | Title: Film Country for Old Men | 5/19/2008 | See Source »

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