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EDITORIAL OPERATIONS DIRECTOR: Oliver Knowlton
On Nov. 22, 1963, America's head was blasted open. Director Oliver Stone, Hollywood's most intense interpreter of our time, seeks to prove that the assassination was a military-CIA conspiracy. How real is his movie? And how does he answer critics who accuse him of distorting history?
Variations on the King Richard Effect are at work in Oliver Stone's JFK. Richard III was art, but it was propaganda too. Shakespeare took the details of his plot from Tudor historians who wanted to blacken Richard's name. Several centuries passed before other historians began to write about...
The first superficial effect of JFK is to raise angry little scruples like welts in the conscience. Wouldn't it be absurd if a generation of younger Americans, with no memory of 1963, were to form their ideas about John Kennedy's assassination from Oliver Stone's report of it...
Oliver Stone screams bloody murder for a living. In his screenplays for Midnight Express and Scarface, he drew nightscapes of drug paranoia and police brutality. As writer-director of Platoon and Born on the Fourth of July, the Vietnam vet exorcised his demons by portraying the war as a rite...