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Word: olivia (lookup in dictionary) (lookup stats)
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...suddenly ripped by violence. A stranger appears, announcing with grinning malevolence that the handyman has escaped from an insane asylum and must return. When the stranger pulls a knife, Thompson kills him. The rest of the play shows Thompson, acquitted by a jury, bleakly, desperately dragging his sickly wife (Olivia de Havilland) from one neighbor's house to another to defend himself and his deed. Then he blows his brains...

Author: /time Magazine | Title: Television: Vintage Wine | 12/2/1966 | See Source »

...Noon Wine induced a special glow, partly because of Director Peckinpah's achievement in adhering to the bluntness of the tragedy, partly because of the ungirdled brilliance of his players. Robards, bedecked with a massive home-grown mustache, spread backwoods brio all over the crusty landscape, and Olivia de Havilland, all frailty and flutteriness, tottered after him without losing a step. Author Porter was astonished that show busi ness could be so kind. "After what they did to my poor Ship of Fools," she said last week, "I was just crushed. I didn't expect anything like Noon...

Author: /time Magazine | Title: Television: Vintage Wine | 12/2/1966 | See Source »

...STAGE 67 (ABC, 10-11 p.m.). Katherine Anne Porter's novella, Noon Wine, takes on added body with performances by Jason Robards Jr., Olivia de Havilland, Per Oscarsson and Theodore Bikel...

Author: /time Magazine | Title: Television: Nov. 25, 1966 | 11/25/1966 | See Source »

...sentimental Duke is clothed in rich blue and green brocade, and the garments of his companions are equally handsome, Olivia, in mourning for her brother, wears brown and black, and carries a conical parasol. Her conniving uncle Sir Today, a toper, is a monstrous barrel of rose wine come to life, with a wide sash just barely able to function as a hoop to keep the barrel from bursting. The foolish Sir Andrew is dothed in an orange and claret that are subtly incompatible...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

Patricia Peardon makes a beautiful Olivia, though she is not at ease with her lines; and the veils she and her retinue wear when Viola-Cesario first visits her ought to be far less transparent. Elizabeth Parrish needs to invest the part of Olivia's maid Maria with more vivacity. Fabian, her male counterpart, fails in the hands of Julian Miller to leave much of any impression...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

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