Word: olympia
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...William ("Noah") Greenwood completed his second ark (his first was burned by city authorities) on a prairie near Olympia, Wash., equipped the 60-foot craft with 27 swords, a suit of armor, several tomahawks, a cat and a hat which once belonged to Annie Oakley, and waited for the "world tidal wave" he expects...
...restaurant in London's Olympia exhibition hall last week, British government officials sat down to a meal of "Frood," a new British product hailed as a likely dollar-getter in the export trade. But Frood turned out to be nothing more than precooked frozen food. With the U.S. frozen-food market already oversold, it looked as if Britons could not have picked a worse time to try to invade it. The only thing to give U.S. businessmen pause was that Frood's maker, J. Lyons & Co., Ltd., was not likely to back a bad bet. By consistently backing...
...strange and terrifying place. The tone of disillusion and disgust very likely comes from Bemelmans' discovery that, aside from the glittering surface, Hollywood is nothing like prewar Paris, where he delighted in being gay rather than sarcastic, and sentimental rather than cynical. We see the giant Olympia Studio, where no man is happy, and the road to success is to keep one's month tightly shut and do no work. But Bemelmans makes no judgements; instead he tells the story of the production of a ridiculous picture with grim amusement...
...Nice pig,' said Moses Fable, who usually paid no attention to bit players and extras." The pig, Dirty Eddie, black, underprivileged, but unmistakably talented, is the hero of Ludwig Bemelmans' third whimsical novel. Moses Fable was the fleshy, flashy chief of Hollywood's Olympia Studios. Bemelmans (Hotel Splendide, I Love You, I Love You, I Love You) gets more out of a pig than Swift and Armour (they miss the whimsy as well as the squeal). Dirty Eddie becomes a $5,000-a-week movie star who earns himself swill-pails of fan mail...
Discovery. Eddie's arrival in Hollywood provided an answer to Olympia Studios' most stunning problem: what to do with the exact duplicate of Paris' Gare St.-Lazare which somebody had constructed on the lot. And it ended the creative impasse between Scripters Ludlow Mumni and Maurice Cassard. Mumm was a solemn, devout Manhattan liberal who was driven to picket lines by a chauffeur. Cassard was a rumpled, realistic Frenchman, who admitted to an impulse to vomit into the hats of "Stork Club Communists." They were working together on the script of Moses Fable's preposterous musical...