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Word: omelet (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...this does not necessarily make an evenly textured omelet. But, spiced with a forceful commentary by ex-Ambassador to Japan Joseph C. Grew ("Nothing less than all-out effort will suffice. The future is ours-or theirs. There is no other choice"), the picture leaves no doubt about the toughness of the fight that lies ahead...

Author: /time Magazine | Title: Cinema, Also Showing Aug. 16, 1943 | 8/16/1943 | See Source »

...human omelet which included Dorothy Lamour and Myrna Loy, an audience of 2,089 packed into Manhattan's Rivoli Theater to witness the most important screen premiere since Gone With the Wind-the first showing of For Whom the Bell Tolls...

Author: /time Magazine | Title: Cinema: For Whom? | 8/2/1943 | See Source »

Correspondents live circumscribed routine lives in Moscow, have their most excitement trying to beat each other to the wire. After breakfast (tea, toast, and cold sausage, cold fish, occasionally an omelet), in their dimly lit, chill rooms at Moscow's squat Metropole Hotel each morning, they hurriedly compose stories culled from four Moscow papers-Pravda, Red Star, Izvestia, Komsomolskaya Pravda. They get their stories reviewed by Russia's sharp censors, then they race to the cable office. For a time Reuters' Harold King had the edge because he hired a motorcyclist. Nowadays U.P. and A.P., employing...

Author: /time Magazine | Title: The Press: Third Scoop from First Front | 1/4/1943 | See Source »

Edmund Wilson's latest book is chiefly interesting because it shows an outstanding U.S. literary critic as a satirist in verse and prose. Two of the best pieces are wicked parodies, one in prose, one in verse. Verse parody is the salty Omelet of A. MacLeish, in which Critic Wilson paraphrases the Librarian of Congress' smooth pentameters, feminine endings, assonance and love of colons...

Author: /time Magazine | Title: Books: Rejoycings | 1/4/1943 | See Source »

This monumental exhibition represented 17 years of Painter Tchelitchew's work. Chief target of ahs and bahs was the artist's most recent work a 78½ ft.-by-84¾ ft. canvas entitled Hide-and-Seek. Some spectators thought it looked like a gigantic omelet composed, not of eggs, but of innumerable infants. Others thought the picture looked like a vast translucent cranium containing a number of babies enveloped in autumn leaves, some of the children still foetal, one blue-veined crimson hydrocephaloid boy on its stomach, another urinating. Persistent spectators sooner or later discovered that Hide...

Author: /time Magazine | Title: Art: Why There Is Why | 11/9/1942 | See Source »

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