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...historical Margaret died in France even before Richard because king. But Shakespeare brought her into the play with the fourth-largest role. Directors often omit Margaret entirely, as Olivier did in his overpraised film version; but she adds much, in her two substantial scenes, functioning as a sort of combined Cassandra and avenging Fury. Since Margaret is a half-supernatural character, it made sense to cast her here with a foreign-born actress. Viveca Lindfors looks wonderful with her disheveled hair, but the vestiges of a Swedish accent along with a tendency to swallow words make much of her cursing...

Author: By Caldwell Titcomb, | Title: The Bard | 8/12/1980 | See Source »

...speech to the Cuban congress last July, Castro said that some Cuban workers, particularly in the service industries where performance is difficult to evaluate, have responded to the lack of immediate material incentives by simply goofing off: waitresses shuffle their feet while customers wait, and bus drivers omit stops. Despite the fact that some continue to exploit the system, Cubans are proud that they have "reclaimed their country" from the American interests that have dominated the region since 1898. Today Havana is a Cuban city. Havana in the fifties was an American sailor's brothel; a friend...

Author: By Linda S. Drucker, | Title: Castro's Cuba: Stranger in a Strange Land | 9/21/1979 | See Source »

...Hundred Million People, an anthology of first-hand accounts of communist China written by Western reporters and scholars, was published in South Korea. Three months later, Mr. Lee Yong-hui, the translator and compiler of the anthology, was arrested by South Korean authorities. Lee was accused of failing to omit from his translation those passages "praising, encouraging and siding with 'foreign communist movements' as he would have been expected to do." Many of the accounts in the anthology had been published in South Korea without the objections of the government. Among the authors translated by Mr. Lee were Harvard China...

Author: By John Mcdargh and Mary ANN Z. kocur, S | Title: Publishing Under The Gun | 5/25/1979 | See Source »

...real problem with the Leverett production is at the same time one of its great strengths: Smith chooses to omit the entire comic subplot of the play written by collaborator William Rowley (without which the title is nearly meaningless). This leaves the play almost unbelievably short--the whole thing takes an hour-and-a-half, including a 15-minute intermission and scene changes. Along with the director's rapid-fire pacing of the scenes, this insures that The Changeling won't give audiences an overdose of post-Shakespearean blank verse--which most of the actors cope well with anyway...

Author: By Scott A. Rosenberg, | Title: Blood Without Guts | 4/26/1978 | See Source »

...heard. In the news-gathering process, the press is both prosecutor and sole judge of its own activities-answerable in advance of publication to no one (though it can be sued once the story is out), free to select or disregard evidence as it pleases, free to omit counterclaims, to minimize rebuttals. Such absence of prior restraint is essential to a free press, but the press at least should recognize that it enjoys more unchecked advantages than a courtroom adversary, and therefore incurs some obligations...

Author: /time Magazine | Title: NEWSWATCH: Indegoddampendent Is Fine | 4/17/1978 | See Source »

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