Word: one-act
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...into the background of these new works, Miller explained that he had written them at the request of a friend who had asked for a one-act play that a small, New York drama group could perform for one or two nights. Since small works of this kind were not usually done on Broadway, he agreed to finish a one-act play on which he was working and to write a second one as a curtain-raiser. In the end the plays turned out to be good enough to rank as a major attraction of the new theater season...
...reported MODERNIST SYMPHONY BOOED, after his first Symphony was played in Philadelphia in 1935, he was delighted. When people called his Violin Concerto unplayable, he shrugged and looked around until he found himself a fiddler who could play it. Last week in Princeton, N.J., Sessions' long (75 minutes) one-act opera, The Trial of Lucullus, got its first hearing in the East. The score was, as usual, pretty tough going, but at least nobody booed...
Chekhov put himself through medical school, but he was a doctor only by chance and a writing man out of inner necessity. Before he was 30 he had churned out some 400 stories, sketches and one-act plays, and the first version of Uncle Vanya. He believed that a writer had to be an irritated oyster before he would produce any pearls: "He who doesn't desire anything, doesn't hope for anything and isn't afraid of anything cannot be an artist." Damning his own as a literary generation of "lemonade" dispensers, Chekhov makes a telling...
...Leverett House Dramatic Club's production of "The Early plays of Three Well-known Dramatists" requires grotesque positions to prepare scenery for three weird one-act plays. "The Marriage Proposal" by Chekhov is a marriage proposal which isn't, at least not until the longing-to-be-bride's father twists the scene until the knot is tied. Tennessee Williams' "The Strangest Kind of Romance" finds a man fallen in love with a cat. Animals also appear in Noel Coward's "Weatherwise" as people take to barking and scratching, and the real dogs on the set eat rugs...
Produced by ANTA's Gilbert Miller, with CARE as co-beneficiary, Album served up a two-hour, hot-to-cold potpourri of Broadway bits and pieces. Some of the players were topnotch: Helen Hayes in A Christmas Tie, Saroyan's one-act Omnibus comedy about a small-town lady crackpot; Ruth Draper's monologue about a Scottish immigrant at Ellis Island; Pianist-Comedian Victor Borge's skillfully timed spoofing of Mozart and Manhattan traffic ("Every empty taxi you see has somebody in it"); and Songstress Lena Home's high-tension version of The Lady...