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Williams, who was out of town and unavailable for comment, is mentioned frequently with admiration by gays and lesbians at Harvard. "She is a one-woman network." Schatz says of Williams, who is also president of the Black Students Association. Williams pressured GOOD and GSA into considering feminist issues in meetings and into including a discussion of feminism and lesbianism at the GLAD days. Laurie Knight '83-2, a member of GSA and RLA, points out that this year for the first time GSA's membership is "approaching parity" between men and women. "Much of the huge torrent of activity...

Author: By Susan C. Faludi, | Title: Gay Rights: The Emergence of a Student Movement | 6/4/1981 | See Source »

...heavily influenced by French Cubist Sculptor Henri Laurens, and their dominant rhythm was taken from Mayan art-a blockish, crankshaft-like sequence of shapes. They may have been stylistically uncertain, but they were powerful, and on seeing them, a leading New York dealer named Nierendorf gave Nevelson her first one-woman show, in 1941. She was past 40, an age when some artists start thinking not about their debuts but about their retrospectives...

Author: /time Magazine | Title: Art: Sculpture's Queen Bee | 1/12/1981 | See Source »

Some contests are punctuated by a continuous, evenly-paced rhythm. This was not one of those. The Minutemen took the initiative right from the start and soon led 12-2. An alarmed Boutilier undertook a one-woman revenge and sunk three quick baskets...

Author: By Sara J. Nicholas, | Title: Hoopsters Fall to UMass; Rebounding Is Key Factor | 12/4/1980 | See Source »

With the loss of Harvard's top sprinter, Sue Harper, the burden now rests on the shoulders of three seniors: Karen Blount, Leslie Simms, and Cecile Scoon. In the hurdles, Karen Gray will have to constitute a one-woman effort for the harriers, a lonely and impossible task for the returning sophomore...

Author: By Sara J. Nicholas, | Title: Cruelest Month-November | 11/21/1980 | See Source »

...unlike the Greek plays, Titus Andronicus provides no pity, terror or catharsis. The characters are slain with the casual impersonality of gangsters being picked off by hit men. Among the players, Hutt's Titus grows in stature as the bereaved father, and Galloway's Tamora is a one-woman "wilderness of tigers." Devoid of a moral center, Titus Andronicus nonetheless exerts a perverse fascination, for it glows with the phosphorescence of evil...

Author: /time Magazine | Title: Theater: Marathon Time at Stratford | 7/21/1980 | See Source »

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