Word: one
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Dates: during 1960-1969
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They Shoot Horses, Don't They? is a strenuous attempt to make that marathon a metaphor for man's fate. The contestants are the populace of a wasted nation. One girl, Ruby (Bonnie Bedelia), is pregnant. Gloria (Jane Fonda) is a brassbound bitch from the Dust Bowl. Robert (Michael Sarrazin) is an open-faced kid from a farm. Sailor (Red Buttons) is a Navy veteran whose ship has gone out. The man running the marathon-and carrying the movie-is a dime-store Barnum named Rocky (Gig Young). The son of an itinerant faith healer, Rocky has read...
...finally, minds fail. Rocky extends a typically cynical offer: Why don't Gloria and her new partner Robert get married out there on the floor? They can get divorced afterward, can't they? After all, warns the M.C., "I may not know a winner when I see one, but I sure know a loser...
Still, as a footnote to American history, They Shoot Horses, Don't They? is invaluable. The entire cast-particularly Young and Fonda-understands the era when existence seemed one long bread line. The penciled eyebrows, marcelled coiffures and bright, hopeful faces change by degrees into ghastly masks; the bodies seem to pull against a gravity that wants them six feet underground. The music goes round and round, and so do the actors, in a coruscating dance of death. It is a pity that the picture is not left to them. The film makers should have known better than...
Once the newspapers published their first dispatches about Willie and Lolita, rumors spread of a full-scale Indian uprising. It was said that Willie was out to assassinate the President. Someone dubbed him "the mad dog of the Morongos"-and he was hunted like one. Willie covered almost 500 miles on foot, through the Morongo Valley, past Surprise Springs and Deadman's Dry Lake, until he was finally cornered on Ruby Mountain. Earlier, he had shot the girl to keep her from getting caught. On the mountain, he challenged a sure-shooting lawman with an empty rifle, a gesture...
...been refined and condensed into a hard, gritty new movie called Tell Them Willie Boy Is Here. Writer-Director Abraham Polonsky makes good use of all the obvious contemporary parallels but deliberately holds them in check. The result is a subtle, intense document of racial persecution that stands as one of the finest films of the year...