Word: one
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Dates: during 1960-1969
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...draws many of its students from the blue-collar families of Akron's rubber workers, were the blacks' demands for their own cultural center and a black studies program independent of the university hierarchy. The occupiers left the building three hours after they had entered it. No one was injured, and the eviction weapon was a court injunction...
...Joan) among its alumnae, to increase its black students and faculty, hire a black dean, provide a black student center and more courses dealing with black experience. The administration response was mild. The sitters-in were told that if the protest ended peacefully, no penalties would be imposed. One college official described the demonstrators' demands as "not unusual" and their conduct as "peaceful, orderly and quiet...
...Connecticut and Ohio have enacted similar laws to help their troubled parochial schools. Many other states are considering a move in Pennsylvania's direction. Whatever the outcome, critics argue that a victory for nonpublic schools in the Supreme Court may produce a loss in the long run. For one thing, there might be less money to go around for public schools, especially those in the ghetto. In addition, critics note, to win tax support the church schools must prove that they provide a public service and also submit to more legislative regulation. The result could be less religion...
Considering that Hedda Gabler is one of the great character portraits in all of drama, it is amazing how stiflingly unanimous critical opinion and acting theory have been about her. For decade after decade, there has been one Hedda, with only minor variations. This Hedda has been a malevolent vampire, a caged prisoner of boredom, a raging neurasthenic. Now, in an off-off-Broadway production by a group called the Opposites Company, there is a new Hedda Gabler, not only beautifully performed, but deeply and subtly thought through in terms that make it peculiarly relevant to the psychic and psychological...
...from a pampered doll to an independent being. In Hedda Gabler, he examines a woman who has totally left the doll's house in spirit, but who still occupies it out of social convention, a woman trying to "keep house" with desperate calm while undergoing an inner earthquake. One reason that the present production seems so fresh is that Hedda's plight is seen from Hedda's angle of vision. The ultraneurotic Hedda has always been seen from a man's angle of vision and caters to the male notion that a woman only...