Word: one
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Dates: during 1960-1969
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...high school connected with a prizefight? The answer goes back to 1968, when San Antonio's parochial schools were in deep financial trouble -like others across the U.S.-and Archbishop Robert Lucey halted all diocesan subsidies for three of the city's twelve Catholic high schools. One of the three schools was located in a wealthy white neighborhood, and it easily survived by raising tuition. Another, situated in a lower-middle-class area, gave up and closed its doors. It is now a warehouse...
Cleaning Up. Holy Cross High got the $72,000 and survived the year. Subsequent donations and benefits have enabled it to continue. When Liberty/United Artists contributed more than 20,000 record albums, one parent provided an empty store, others offered to staff it, and Holy Cross found itself in the record business. The store made $9,000. A benefit performance by Singer Vikki Carr raised $20,000. A Christmas fruitcake sale netted...
...show is one of those lavish reminders that the assembly line is not the fountain of inspiration, that known quantities gathered together do not necessarily produce the elusively unknown quantities of fine dramatic art or exciting entertainment. Wands are wielded by Katharine Hepburn, Alan Jay Lerner, Andre Previn and Cecil Beaton, but no magic ensues. No wish is fulfilled. No dream comes true...
...Gabrielle Chanel, the great Parisian designer who is now a fairly fabulous 86 years old. What went wrong? The initial concept was wrong. The focal point of the fashion business is a dress. In and of itself, a dress is not dramatic. A parade of animated mannequins such as one gets in Coco does not make dresses dramatic either. A group of women milling about onstage always looks rather like a herd, and that is scarcely dramatic...
What about Coco's love life? Her lovers are flashed on a screen and mumble a few words of endearment. No one knows what they feel about Coco or what Coco feels about them. These are virtually spectral relationships. One is left with Coco herself, a spunky, ardent, nononsense, one-woman feminist liberation front, who somehow seems to be more passionately and intimately involved with her models than with any man in her life...