Word: one
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Dates: during 1970-1979
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Although he had a security clearance, Shinkle did not have access, Sandia insists, to the company's two main computers, which contain the classified material. The one that Shinkle is said to have used, says Sandia, had only unclassified material. Still, FBI agents and officials at the Department of Energy, which underwrites the work at Sandia, were shocked that Shinkle could get such easy access to any company computer. James P. Crane, the DOE official in charge of security at Sandia, said last week that he had set up new monitoring procedures and restricted access to the computers...
...Craig Gilbert. Agents overheard a conversation between Coach Norm Ellenberger and Manny Goldstein, his assistant, in which Goldstein said he arranged to get some credits for Gilbert by paying $300 to John Woolley, dean of admissions at Oxnard College in Oxnard, Calif. Gilbert had gone to school there for one year. The plan was to have Woolley certify that Gilbert had earned the credits at, of all unlikely places, Mercer County Community College in Trenton, N.J. Gilbert, a Californian, had never gone to far-off Mercer, but Goldstein, who is from Brooklyn, knew his way around the place. Somehow...
...number of languid non-believers in America is legion, the number of aggressive atheists is small, probably no larger than the 65,000 claimed for Archatheist Madalyn Murray O'Hair's mailing list. The number of atheists willing to go to court about religion is smaller still. One of these is a South Dakota laborer named Roger Florey...
Dachau: 1936. The sun is hellish. Two men in prison garb stand in front of an electrified fence. Max (Richard Gere) and Horst (David Dukes) must carry heavy rocks from one side of the prison yard to the other, drop them in a pile and then carry them back. This task of inspired idiocy is designed not only to break their bodies but to crush their minds and spirits. Their crime: being homosexuals...
...displays no social or moral qualms about anyone's being gay. But Playwright Sherman is not proselytizing. He wants to show us the brute cost of survival, the deep need and sustaining force of human affection in dire adversity and the taxing journey to the root core of one's identity. The play at Manhattan's New Apollo Theater achieves these ends, thanks in part to an arresting performance by Film Actor Gere (Looking for Mr. Goodbar, Yanks). Even greater thanks are due David Dukes for his extraordinarily intuitive portrayal of Horst, a man rounded...