Word: one
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Dates: during 1980-1989
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Danger is a constant companion of workers in the petrochemical industry. But no one could be prepared for the explosions and the fireball that last week reduced a Phillips Petroleum Co. plastics plant near Houston to a blackened maze. "It was like being inside a bomb," said purchasing agent Clay Howell, who was knocked out of his chair 350 yds. from the blasts. Trying to stop the inferno was "like spitting in the ocean," said Houston fireman Joseph Phillips. Twenty-two employees were either killed or presumed dead...
...company suggested that a seal on one of the plant's eleven-story-high reactors may have developed a leak, leading to the ignition of a stream of gas. But workers contended that the cloud was so dense that a valve must have been left open. In any case, the disaster dramatized the need for greater concern for safety by the chemical industry. Its lobbyists had persuaded the Bush Administration to remove tougher safety restrictions on such facilities from proposed legislation for renewing the Clean...
...lightest inflection of thought, quick but always controlled, strengthened by brown washes that confirm its structure -- does not always translate to the paintings and frescoes, where it seems heavier and overdetermined. But with Giulio, design and invention were inseparable, and their combination is worn so lightly that one may not realize how difficult were the problems he set for himself. How do you create long processional friezes of figures based on a Roman triumph, as in the Stucco Room at Palazzo Te, without monotonously repeating poses and gestures? How do you cram an imagined temple with such an excessive throng...
There he had no rivals and no clergy breathing censoriously down the back of his neck. Federico II Gonzaga's court was a secular one; not even his tamest eulogists could have called the Duke pious. He was, however, brave, generous, greedy, obsessed with his own virtu (which meant prowess, not virtue) and determined to go down in history for his martial skills, his classical learning and his devotion to all vertical and horizontal forms of the chase. In Giulio, this son of Isabella d'Este found a court artist whose libidinousness and intelligence fit his own. Both men moved...
...Room of Psyche, the physical effervescence and the characters of the picnicking gods are set forth as explicitly as in a Roman pantomime, and one can easily see why Giulio had such an influence on Rubens and Poussin. Lusting, half-tipsy, bare bottomed and prone to fits of hilarity and rage, Giulio's Olympians cavort and cuckold one another across the walls to the accompaniment of all manner of phallic puns. When sword-brandishing Mars is seen pursuing Adonis, whom he has just caught in flagrante with his wife Venus, even the antique statues in the background display their truncated...