Word: one
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Dates: during 1990-1999
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CHRISTMAS TREES Most people with no tree say they are not at home for the holiday or too busy to put one...
...that director (and final-draft writer) James Mangold has botched the job. It's just that he made something rather conventional out of a memoir that was spare, terse and elliptically funny. And naturally, the film's attitude toward its patients is the only acceptable one these days: that they may be saner than their keepers--especially since this is the '60s, when the outside world is so crazy...
...long, complicated fight to redeem him. He's an irresistible kid, maybe the only sort of person who could break down Carter's wall of reserve. The Hurricane may be a little too leisurely in its development, but the unlikely triumph of Carter's saviors is an authentically moving one...
...live in a chance universe, that coincidence and mishap play a larger role in our destinies than we like to think. In Magnolia he intertwines four disparate (but equally glum) stories of people living in California's San Fernando Valley and shows how they touch--or fail to touch--one another in the course of a single, very long...
...result is a hard-striving, convoluted movie, which never quite becomes the smoothly reciprocating engine Anderson (who did Boogie Nights) would like it to be. Indeed, only one of his tales is fully persuasive. That's the one about the Partridge family, which is not to be confused with the nice folks from '70s TV. The patriarch, Earl (Robards), is dying of cancer, a metaphor for decay that Anderson likes too much. Earl's trophy wife (Moore), who married him for his money, has decided she actually loves the old guy and is in a guilty frenzy to prove...