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Tchaikovsky: Eugene Onegin (soloists, chorus and orchestra of the Bolshoi Theater; Westminster, 3 LPs). Pushkin's sentimental tale of a St. Petersburg blade and his Unbeloved, given a skilled and rousing reading by Russia's leading opera group. The score displays Tchaikovsky at the top of his meltingly melancholy form. Soprano Galina Vishnevskaya is particularly fine as the lofty-souled heroine whose real-life prototype became Tchaikovsky's wife in a marriage that almost drove him to suicide...

Author: /time Magazine | Title: Music: New Records, Sep. 9, 1957 | 9/9/1957 | See Source »

...Secretary, has brought suit to prevent the continued French publication of Lolita on the ground that it is falling into the hands of immature British and American tourists. Nabokov is happily busy with a less controversial work of art, his 2,000-page translation of Pushkin's Eugene Onegin...

Author: /time Magazine | Title: Books: Pnin & Pan | 3/18/1957 | See Source »

Russian Operatic Arias (Raphael Arie, basso; Paris Conservatory Orchestra conducted by Alberto Erede; London). One of the world's best bass voices, used as it should be, in some of the finest bass arias. Included: songs from Eugene Onegin, Prince Igor, Sadko, Boris Godunov...

Author: /time Magazine | Title: Music: Classical Records | 7/2/1956 | See Source »

...Alice in Wonderland. Maurice Evans becomes a son of the American Revolution for George Bernard Shaw's The Devil's Disciple. Opera will range from Puccini's Madame Butterfly through a new English version of Mozart's The Magic Flute and Tchaikovsky's Eugen Onegin to world premieres of two new operas: Lukas Foss's Griffelkin and Stanley Hollingsworth's La Grande Breteche. Britain's Margot Fonteyn will dance in the ballet, The Sleeping Beauty. Ex-Ambassador Chester Bowles will give an hour-long report on India, and The Constant Husband, starring...

Author: /time Magazine | Title: Radio: $75 Million Package | 9/5/1955 | See Source »

...seats) Theater an der Wien was packed. And Vienna was particularly pleased to see that the first two right-hand rows were solid with Russians who cheered with everybody else. It was not greatly surprising that the Russians had come-after all, the opener was Tchaikovsky's Eugen Onegin, a longtime Russian favorite. The surprise was that they had joined inwith hearty applause for tall, dark-voiced U.S. Bass-Baritone George London (TIME, Jan. 9), who sang the title role...

Author: /time Magazine | Title: Music: Comeback In Vienna | 10/30/1950 | See Source »

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