Word: onegin
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...Particularly as danced by Haydée and Cragun (as Kate and Petruchio). Shakespeare's antic frolic, set to a score composed of snatches of Scarlatti music, subtly explores a remarkable range of domestic feeling from dominance to submission and finally to partnership. For Pushkin's Eugene Onegin, the fourth full-length storybook ballet that Stuttgart is offering U.S. audiences, Cranko discards the whole Tchaikovsky opera score in favor of a graceful montage that helps make the ballet a romantic matinee idyll...
Stars from Stuttgart. Cranko's company has chosen to concentrate on three full-length works, The Taming of the Shrew, Romeo and Juliet and Eugene Onegin, all richly staged and costumed and all choreographed by Cranko. He handles large groups of dancers with remarkable dramatic effect. But the Stuttgart Ballet has been devastating audiences all across the U.S. mainly because of the dancing of two new stars, Marcia Haydée and Richard Cragun...
Strong and effortless, Cragun tactfully puts a matinee idol's figure at the service of his roles, making Romeo, Petruchio and even Onegin believable and remarkably affecting. The marvel, though, is Marcia Haydée. Experts correctly point out that she is not a great dancer technically. Most would turn puce at the thought of mentioning her in the same breath with Margot Fonteyn. But few dancers within memory have projected the rangi of whims and wishes or invoked the delicate interplay of emotions that flow from the least gesture of Haydée's body, the slightest...
...senselessly deprive thousands of printers and journalists of jobs, and New York of a great newspaper, talk of the Met's going out of business was chilling indeed. Considerable damage has already been done. Two promising revivals-Puccini's Fanciulla del West and Tchaikovsky's Eugene Onegin-have already been lost even if the Met opens, as it still conceivably could, in a month. Herbert von Karajan's new Siegfried, which must be done in November or not at all, seems likely to be scratched too. Though a handful of the Met's leading stars...
...Vershinin's drum-roll exchanges ("Tram-tam-tam ... tra-ra-ra"), the shortest mutual love scene ever written for the stage, has been effectively solved by substituting complementary phrases from the aria "All men should once with love grow tender" in Act II of Tchaikovsky's opera Eugene Onegin...