Word: oneness
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Dates: during 1920-1929
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Louis' one passion (outside of his job) was hunting. He liked women, but loved dogs. He had mistresses in his younger days, and was twice married, purely as a matter of business. Suspicious, he had an elaborate system of spies. Relentless, he hung traitors or put them in iron cages. Personally brave, he was terribly afraid of death...
Young, intelligent, fatally beautiful, Diana von Wassilko is the kind of girl who gives and goes. In her coolly amorous passage through the social high spots of Europe, she has many calls on her generosity. When the story opens, she has just left one lover, an unripe Viennese poet, after an idyllic two weeks on a Mediterranean island. When her story ends, she has apparently lost her freedom but attained respectability by a morganatic marriage to a Middle-European prince. But between these two points the huntress of men has had good hunting: Diplomat Count Münsterberg, Millionaire Scherer...
...love-affairs, Diana is rarely the one to suffer; and Author Ludwig has so arranged matters that her willing victims, though never forgetful, always forgive. Between diversions, Diana is the capable secret agent and business adviser of canny Millionaire Scherer. Only once is she the cause of tragedy: a duel in which a former lover kills her present one. No introvert, Diana does not often brood; and when she does, her pessimism is only of the morning after. "To taste of everything just once-in order to be able to despise everything." In Diana, Author Ludwig has tried to give...
...ugly man, swarthy, hawklike, with beady eyes . . . thin elongated nose." A charlatan, cardsharp, liar, forger, adulterer, seducer, jailbird, he was still a "student of humanities . . . connoisseur of the arts and sciences, philosopher, dramatist and poet." A worldly man, with few illusions, Casanova had some profound convictions. "It was one of his staunchest beliefs, one that he retained to his dying day, that lack of sexual expression is followed by a mortal illness." Though his memoirs are never wholly to be believed, the two adventures of which he was proudest (the escape from the Leads and the duel with Branicki) seem...
Great is the esteem expressed when musicians present one another with wreaths. By this token a big, bearish Russian might have felt doubly honored last week in Manhattan. He received not only a floral wreath, but a lyre made of red and white carnations and inscribed "in the name of American musicians to this Orpheus of Russia." The famed, hulking Orpheus was Alexandre Constantinovitch Glazounov, now making his first visit to the U. S. and appearing last week as conductor of his own works...