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Word: oneness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...catalogue printed in the same parchment tones of the prints describes the techniques Rembrandt used to create his shadowy imagery. He juggled lines - etched, and engraved - according to what he drew, sometimes combining all three in one print. He worked the delicately teethed lines into the most careful description-to weave the wrinkles in a face or show the heaviness of a drapery. He employed rougher drypoint or engraved lines for bolder cuts...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...changes Rembrandt made in his prints are further evidence of the energy with which he sought to discover the truth about everything he drew. Not limiting himself to one idea, he expanded his conceptions, letting them change direction when he found something new in either his subject or himself...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...various versions of one portrait. Rembrandt explored the complexity of his character. He drew his friends: a lawyer, a merchant and Clement de Jonghe, a print seller from Amsterdam. All editions of the portrait of de Jonghe have the same skeletal composition. His strong body is buttoned into a jacket and surrounded by a cape. He sits leaning on the arm of a straight-backed chair, gloved hands resting in front of him. He carries a large-brimmed hat as though it were part of his head...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...FIRST state of the print is a general statement. But in the second state Rembrandt refined the face, darkening the curve of the lips, and enunciating the cheek. One eye, large and black, opens in a tentative expression. The other one tightens in its scrutiny of the viewer. Rembrandt again blurred the features in a third state. Now the eyes are of equal size. And an arch scratched in at the top of the page brings de Jonghe forward. Finally Rembrandt cut deep shadows into the cape grabbing the focus away from the face. And the print seller becomes...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...skeptical modern eye. Concentrating on the crowd, some doubting, some frightened, some barely paying attention, Rembrandt depicted how ordinary people react to Christ in the course of day-to-day existence. The warmth emanating from Christ incorporates itself in details among people, in a calm face or one hand leading another...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

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