Word: oneness
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Dates: during 1960-1969
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ADAPTATION-NEXT. Elaine May directs both her own play, Adaptation, and Terrence McNally's Next in an evening of perceptive and richly comic one-acters...
MIDNIGHT COWBOY. Jon Voight is a strutting phallus, good for nothin' but lovin'; Dustin Hoffman is a septic, crippled thief. Together, they create one of the most moving and poignant performances in the history of American film. Though Director John Schlesinger has decorated the story with stylistic tics, the film stands as a moving study of the lonely and the loveless...
...those "brave" Americans who participated in the War Moratorium. Thank you for showing us, the men you have sent over here, that we have your support. The next thing you could do is take our weapons away. That will undoubtedly stop the war. Then you can have another Moratorium, one that will really mourn the dead Americans. I hope you realize how many men you have killed because you took their will to fight away...
...nationwide Moratorium has come and gone, with its excellent emphasis on peace. But one wonders why so many people only protested the U.S. involvement yet said not a whisper about Hanoi's atrocities past or present. Maybe, in order to balance the books a bit, there ought to be a second Moratorium Day showing support for this nation's attempts to secure an honorable and just peace...
Another impressive scene is the one in which a truck has to be turned around on a wooden platform hanging over the edge of a cliff. The cutting and soundtrack of this scene prove Clouzot to be a master at editing and timing suspense scenes. (Yvcs Montand is the hero of this scene...