Word: oneness
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Dates: during 1960-1969
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Cavalli: L'Ormindo (Argo). Something practically unheard-of: an authentic, workable masterpiece miraculously retrieved from the past. One of the 17th century Venetian composers influenced by Monteverdi, Francesco Cavalli wrote melodiously, with great penetration into the personal relationships of his characters. The present recording stems from an edition pieced together by Raymond Leppard from musical fragments for a Glyndebourne production in 1967. The result is musically and dramatically spellbinding...
Mozart: Idomeneo (Philips). Like most opera seria, this one depends on gods, a sea monster, women pretending to be men and an unusual ability on the part of the audience to take the whole thing seriously. But the music is Mozart at his best, requiring only a great conductor and a great cast to do it justice. It gets just that. Colin Davis fans the music to a fierce, steady glow. Highpoints: George Shirley's rocketlike traversal of Fuor del mar-a crippling catalogue of coloratura devices -and Elettra's two arias sung by Pauline Tinsley, a British...
...leaders now hope to push ahead with a plan to expand the council into a wider ecumenical group embracing both conservative Protestants and Roman Catholics. Whether they can succeed is open to question. For one thing, contributions to the N.C.C. are down half a million dollars (4%) from last year. For another, conservative Protestants may be less than enthusiastic about the trends that became apparent during the Detroit meeting...
...One Big Battle. He looks ready. With melancholy eyes and a guileless face only partially coarsened by a Sundance Kid mustache, he is reminiscent of the more or less traditional Hollywood matinee idol. The resemblance ends right there. He rejects the Hollywood scene, and his conversation is a pressagent's nightmare. "Let's face it," he confides with the sort of intensity that adds volumes to every sentence. "If you want to get anything done in Hollywood, you've got to fight. It's just one big battle out there, and I don't need...
After moments of intense despair and fear, the climax does turn out neatly and somewhat happily. But that is quite acceptable simply because the audience has been transported-not into make-believe but out of one kind of reality into another...