Word: oneness
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Dates: during 1970-1979
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Added to this consistency is her instinct for the impromptu, for the movement or gesture that no one thinks of until she does it and makes it inevitable. Her role in The Seduction of Joe Tynan as the other woman, having an affair with a married U.S. Senator, also placed her in an uneven struggle for audience sympathy. Many would argue that Meryl won hands down. Recalls Co-Star Alan Alda: "When she blew Tynan a kiss at the airport after their affair, that was Meryl's own inspiration. It was her way of conveying that she didn...
...grew up in the leafy and comfortable exurbs of central New Jersey; her father was a pharmaceutical-company executive and her mother a graphic artist who did most of her work at home. "I didn't have what you'd call a happy childhood," insists Streep. "For one thing, I thought no one liked me . . . Actually, I'd say I had pretty good evidence. The kids would chase me up into a tree and hit my legs with sticks until they bled. Besides that, I was ugly. With my glasses and permanented hair, I looked like...
...with Voice Coach Estelle Liebling. "The first opera I went to," recalls Meryl, "was Douglas Moore's The Wings of the Dove, with Beverly Sills. It was incredible to see her onstage. Until then, I thought she was just a nice lady who had the lesson before me." One morning Meryl got up, squashed her glasses underfoot, put peroxide and lemon juice on her hair and set out to be "the perfect Seventeen magazine knockout." Boys quickly appeared, and so did a high school teacher determined to build musicals around Meryl's singing. During her freshman year...
Meryl had auditioned in New York occasionally while still at Yale. When she moved to the city, directors scrambled to use her. Her first professional appearance was at Lincoln Center in Joseph Papp's production of Trelawney of the Wells. Next she played in a program of two one-act plays and did the seemingly impossible: she became both a slovenly, bovine Southerner in Tennessee Williams' Twenty Seven Wagons Full of Cotton and a thin, sexy secretary in Arthur Miller's A Memory of Two Mondays. Says Director Arvin Brown: "The audience didn't realize that...
...During one, a Central Park production of Measure for Measure, she worked with John Cazale, a respected actor known to film audiences for his role as the cowardly son Fredo in The Godfather and The Godfather, Part II. They fell in love and began living together. Actor Joe Grifasi, a friend of both at the time, says: "Meryl admired his ability to cut through the crap and focus on the essentials. He was very careful to maintain his equilibrium." They spent as much time together as their careers permitted; the summer of 1977 found them in Steubenville, Ohio, working...