Word: oneness
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...which he has served and the calm with which he manages his responsibilities. During the last four years, Zellmann-Rohrer often has worked on multiple shows at the same time, and yet, Griggs explains, “He never complains. He’ll often be the only one in the theater, fixing everything quietly until it’s finished, and then it just seems to happen like magic.” When asked how he juggles such an intense workload, Zellmann-Rohrer simply replies, “I always tried to think of it as a hobby...
...When one considers that during his time at Harvard College, Michael W. Zellmann-Rohrer ’10 has served as lighting designer for over 40 college theater productions, a fellow technician’s description of Zellmann-Rohrer as “a bright spot among others” becomes fitting in more ways than one. And in recognition for both the figurative and literal illumination which Zellmann-Rohrer has provided to the theater community, the Office for the Arts at Harvard (OFA) has selected him as this year’s recipient of the Louise Donovan Award...
...brightly-colored paintings of animal and human figures, the observer—trained in our hyperactive descriptive culture of tweets, texts, and Facebook updates—might be tempted to latch onto a single word—hallucinogenic, or even psychedelic. Yet, trying to capture Vu in one word does a disservice to her artistic complexity. As Vu’s thesis advisor, Visual and Environmental Studies (VES) department professor Andrew Beattie, says of the “miracle worlds” she paints: “They’re not cute and she’s not cute?...
Vu’s progression towards becoming an artist was in some ways unexpected. Though she says she has always had a passion for art, in her first year and a half at Harvard she focused on Molecular and Chemical Biology, taking only one VES class each semester. Her interest in medicine came from spending time with her father when he was hospitalized with cancer. She was accepted to the Howard Hughes Medical Institute internship program, which she participated in for three years before focusing wholly on her art in her senior year. Though she now has a secondary...
Herbert, Hopkins, Goethe, and Dostoevsky are only a few of the voices that C.K. Williams conjures in his new collection, “Wait.” In one poem, he applies fertile Hopkins-like music to descriptions of dust and destruction, while in another he re-imagines a scene from “Crime and Punishment” in which Raskolnikov notices a “Jew on a Bridge.” But even as he takes on the styles or subjects of canonical writers such as these, Williams manages to consistently maintain the gentle, witty, and honest...