Word: oneness
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Still, the best tracks are the more dynamic ones. Wisely chosen as the album’s first single, “Rambling Man” is the most invigorating number on the record. As the track progresses, several layers of instrumentation pile on top of the initially bare, yet solid base of acoustic guitar strumming and vocals. The combination of these elements, which include cheerful banjo melodies, steadfast drums and electric guitar, lend the track a sense of robustness and complexity, and their effect is truly satisfying. Additionally, Marling’s vocals seem to achieve a rare level...
...misunderstanding Moore presents between Cellach and Aidan is the kind that could occur between a Silicon Valley tycoon and a Harvard Classics professor. The two abbots, one prioritizing physical defense and the other prioritizing books, synthesize an urgent dilemma: how does one choose between technological and intellectual development? Moore examines the power of material strength versus the power of ideas, and to what extent one is necessary for the other...
...more miracles in the forest than in any other place—this is what the abbots knew long ago.” Moore links the two visually, showing similar symbols inside the abbey and outside in nature. In the forest, two orphans, a girl and a boy, one from the natural pagan world, and the other from Christianized civilization, meet and become friends. She teaches him to climb a tree, while he explains to her what a book...
...Just a Housewife”—one of the most engaging and effective musical numbers in the production—tells the story of housewife Kate Rushton (charmingly portrayed by Annie J. Mitran ’13). Mitran plays Kate with a moving vocal performance. Shameful of the stereotypes of the housewife, Mitran says, “All I am is someone’s mother; all I am is someone’s wife.” Despite the judgment of others over her lack of a career, Mitran ends her song with pride, declaring...
...cast of “Working” fittingly pays tribute to one of its production sponsors, the Harvard Union of Clerical and Technical Workers. In “Cleaning Woman,” the actresses are donned in crimson smocks displaying the Harvard Facilities Maintenance Operations seal. Led by maid Maggie Holmes (Paige E. Martin ’11), “Cleaning Woman” presents an optimism lacking in earlier monologues as Martin sings of her hopes for her daughter and the future of a whole new generation...