Word: oneness
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Bart Couder, Steenokkerzeel, Belgium You forget the language barrier. In the U.S., most people speak English. In Europe, you have several world languages: English, French, Spanish, German. This means a lack of communication at the ground level. The great hurdle will be to agree upon one language. This would facilitate everything. (See pictures of 20th Century Britain...
...scandals have multiplied, so too have calls for profound change in the priesthood. One perennial proposal dusted off in recent weeks is the abolition of celibacy among priests: commentators in Germany and Italy have suggested it may help prevent abuse. Vienna's Cardinal Christoph Schönborn has called for a thoroughgoing review of the causes of abuse, writing, "Part of it is the question of celibacy." That sort of questioning is now taking place even in Benedict's former archdiocese. "Married priests should be accepted in the Catholic Church," says Rainer Schiessler, a priest at Munich's St. Maximilian...
...takes time for so many countries with so much history - and past conflict - to be able to speak with one foreign policy voice. Perhaps they never will. But one thing is certain: Europeans have learned that to live together peacefully, many points of view need to co-exist. That may be interpreted as presenting a less-than-robust political presence on the world's stage, but, in my opinion, it shows the richness that makes up the European identity, which is plainly prominent on the world stage...
William Silvert, São Brás de Alportel, Portugal One line really struck me - "Washington, which knows that the world remains a dangerous place ..." - and its implication that Europe doesn't know this. Washington didn't even know that the world beyond its borders existed before 9/11. Then it suddenly discovered terrorism and leaped into the lead in fighting this threat. And who happily signed on? Britain, which had been fighting the IRA for ages and who had seen U.S. support for terrorism dry up (some Irish pubs in the U.S. even had IRA collection boxes); Spain, whose...
...this high-low priestess explains her new approach--the show is set in a nightclub and follows the relationships of four couples--by citing writers like Tolstoy and Balzac (she's been devouring both lately) as well as the Ernest Borgnine movie Marty (which provides the model for one of the couples). Ordinary theatergoers are likely to catch little of this. But they'll see a show that uses dance to make the best case possible for Sinatra's artistry--and delivers the purest jolt of pleasure to be found on a Broadway stage...