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from heavy metal to seductive songs,” Madoff says. Stone even extended his creativity to the props. “At one point, a microwave and a ‘soup-in-hand’ will appear on the stage,” Madoff says...
...There are remarkable artists, painters and sculptors at Harvard,” he says. “I came into college as a rather established potter and sculptor, but I obviously couldn’t do that here. It wasn’t a very social club. This is one of the few ways on campus that I can share the thing that I do, my talent—my superpower, if you will...
...this performance will not be catered directly to Harvard undergraduates. Rather, the performance is designed to bring the performing arts to younger audiences and the Cambridge community as a whole. Anthony J. Sterle ’11, the show’s producer, says, “This is one of the few shows on campus which targets members of the Cambridge community...
Noah J. Madoff ’12, who plays Pericles, stresses that an innovative play like this one needs an innovative director. “This play has a cluttered, bizarre script that doesn’t follow the rules of normal Shakespeare—but Adam has been fearless in editing, cutting, and reworking the production,” Madoff says. Stone adds, “I just developed the production word for word from the script based on the images and references that filtered into my mind and that of the cast.” In addition...
...necessarily see in the shallow, episodic plotline,” he says. Federman agrees: “We may not have had a promising production under different leadership, but Adam is the kind of director who can get people excited about a Shakespeare play, and an obscure one at that...