Word: onscreen
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Dates: during 1955-1955
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...this saga of Superman on horseback is impeded by a horde of females. First onscreen is dewy-eyed Karen Sharpe, who trembles like a subway grating each time Bob goes roaring past. Next comes imperious Jan Sterling, manageress of a gaggle of dancing girls at the Palace Saloon. Jan has a secret: she is Mitchum's estranged wife, and soon they are exchanging the barbed dialogue that veteran moviegoers recognize as the Hollywood hallmark of true love. Eventually, while his enemies steal up on him from two directions, Mitchum takes that long, long walk down the deserted cow-town...
...slice of this audience, Manhattan's WRCA-TV, flagship of the NBC network, moved right into the boudoir last week with a silken five-minute sign-off spot called Count Sheep (weekdays, 1 a.m.). Its star is Nancy Berg, a 24-year-old, Wisconsin-born model, who floats onscreen in filmy lace, stretches her bare arms, yawns delicately, glances teasingly out of her cathode bedroom, pops into bed and out again for a moment's play with her French poodle...
...police blotter. Sometimes the archness is laid on with a trowel, sometimes the trifling action stops dead for overdetailed explanations. Bogart plays his role pretty straight; Aldo Ray is disconcertingly elfin for an alleged sex fiend; and Ustinov's mugging seems overdone. Basil Rathbone and John Baer wander onscreen long enough to look properly villainous. Joan Bennett and Gloria Talbott add their pretty confusions to the artificial turmoil. Technicolor gives the picture a fairly handsome mounting, but nothing can rescue the story from too much talk and too little...