Word: onto
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Dates: during 1980-1989
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...many of the more established designers around the world pick out Ralph Lauren as the designer they think of as "most American," that may be because Lauren has put his signature, and his galloping Polo logo, onto garments that had been in the national fashion vocabulary for years. From beach house to boardroom, pinstripe to roll collar to penny loafer, Lauren codified and merchandised America's dearest dreams of middle-class elegance, then brokered the fantasies back to the market that inspired them. This has nothing to do with design as practiced by Kawakubo or Miyake, but Lauren has seized...
...Rigon, had been taking helicopter-flying lessons. In reality she was Nadine Vaujour, 34, wife of one of France's most carefully guarded prisoners, and she had learned her lessons well. At 10:45 last Monday morning, Nadine flew a rented chopper to Paris' Sante prison, dropped a rope onto the roof and picked up her husband Michel, 35, who still had 28 years to serve for attempted murder and armed robbery. In the confusion, another inmate was left behind. Minutes later, the helicopter landed in a nearby soccer field, where the couple jumped into a car and disappeared...
...Middle Eastern Studies Nadav Safran was forced to resign as director of the Center of Middle Eastern Studies after secret CIA funding for his research and a conference was made public. Dean of the Faculty A. Michael Spence eventually published a report which shifted much of the blame onto some supposedly sloppy administration by Spence's predecessor, Henry Rosovsky. The report was widely perceived both inside and outside of the faculty as a whitewash, and a superficial one at that...
Instead of hopping onto the corporate ladder, this year an increased number of graduating seniors are interested in working in public service, nonprofit organizations and governmental jobs, Leape said...
...Mister Donut, Pizza Hut, Burger Chef. The architecture that resulted was a sort of Sunbelt peasant modernism, simple constructivist cartoons in steel and glass, designed to catch the attention at highway speeds. Usually, as Langdon says, it was a case of "form faking function." Cosmetic A-frames were slapped onto plain boxes; McDonald's golden arches never supported anything. The "modernism" of the fast-food stands was superficial set design, not unlike today's putatively "postmodern" shopping- mall facades...