Word: oomphless
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Dates: during 1980-1989
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...Hall. But it did have its high points: Broadway and TV Star Nell Carter hip-hopping through Alexander's Ragtime Band, Michael Feinstein singing I Love a Piano, and Garrison Keillor reciting All Alone. But then there were the lows: tinny amplification, an overpowering brass section, Bea Arthur's oomphless Hostess with the Mostes' and Leonard Bernstein's self- indulgent twelve-tone parody of A Russian Lullaby. Bernstein was also notable for ad hoc choreography. In seamless motion during the final bows, he embraced Shirley Maclaine, knelt before Marilyn Horne and lodged himself beside Frank Sinatra. The show is ended...
...intelligence and heart. CoStar Howard McGillin has shirt-ad looks, puppyish charm and a lilting tenor. Other delights: Tony Walton's Art Deco ocean-liner set, Paul Gallo's seascape lighting and Michael Smuin's crisp choreography. The supporting cast is mostly ordinary, and Kathleen Mahony-Bennett's oomphless ingenue is not even that. The book, by P.G. Wodehouse and Guy Bolton but revamped before the 1934 opening by Howard Lindsay and Russel Crouse (Life with Father), has been timidly updated by John Weidman and Crouse's son Timothy. It is still so stale and inane that it wheezes...
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