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...been a leading man offstage. The senior has served on the boards of HRDC and City Step, and is currently co-president of the Sunken Garden Childrens’ Theater. SGCT is a 13-year-old Harvard troupe that performs free 20-minute shows from original scripts that are open to the public. Shafrin has been involved in the theater since freshman year and considers the project a therapeutic break from the daily grind. “It’s very low-key,” says Shafrin, “there’s a lot of people...
...itself. According to Shapiro, the original intent of French farce performances in Adams House was to invite a professional director to live in the house for a brief period of time in order to get to know the students before putting on a play. The auditions used to be open only to Adams residents, but more recently, it became increasingly difficult to consistently choose a full cast roster strictly from within the house. “Instead of ending a tradition,” Shapiro says, “we opened auditions up to the rest of the school...
...grounded in any sort of theme such as the link between theater and science. Instead she envisions it as more of an opportunity to explore a multitude of topics and further experiment with more non-conventional theater aspects such as multimedia. “We’re really open to anything,” she says. To Videt, theater will not be a job, but a way of life. “I want there to be no distinction between work and play and life, no nine to five lifestyle,” Videt says...
...said Neethi A. Venkateswaran, a Divinity School student in her final year of study. “You can interact with the Dalai Lama in many ways,” said Remond. “You can go into it with thoughts and expectations, or go in completely open, listen with your heart, and allow yourself to be transformed.” —Staff writer Emma R. Carron can be reached at ecarron@fas.harvard.edu. —Staff writer Melody Y. Hu can be reached at melodyhu@fas.harvard.edu...
...music academically at Harvard, he was surprised by how beneficial the endeavor has been. “I thought that Music 51 would be rehearsing old hat technical studies that I thought that I had already done, but the class was much, much more than that. It really did open my ears to listening to what is going on in music in new and different ways that I hadn’t thought about before.” The synthesis which Kapusta has experienced through his academic and extracurricular works is undeniable. He says studying music “affected...