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...currently understand them. Of course, they always respond with, "Well, the current laws of physics are always changing, so how can you be so certain that these things aren't real?" Well, we can't prove these things don't exist, but then they never really lay themselves open for scientific investigation. That's why it's really problematic to talk about them as being real science...
...Despite, or maybe because of, their constant competition, Titian and Tintoretto often found their artistic practices converging. Over the years, Titian's brushwork became much freer and more open - more like Tintoretto's. Meanwhile, much of Tintoretto's output as a portraitist is like a grudging homage to Titian, who had arrived in his own portraits at a balance of gravity and offhandedness, dignity and intimacy so perfect (and appealing to clients) that the younger man knew he had no alternative but to imitate...
...introducing future Broadway and off-Broadway hits (The Gin Game, Crimes of the Heart and Agnes of God). Following the departure of its founding artistic director, Jon Jory, who was replaced by Marc Masterson in 2001, the festival lost a bit of buzzworthiness, but became a bit more open to work from the experimental fringes...
...these new options in a way that makes their fields both attractive and understandable for potential concentrators. HDRB representatives were present at the Advising Fortnight kickoff dinner in Annenberg Hall on April 6 to inform current freshmen about the new concentration. They will also participate in a Life Sciences Open House on April 13 as well as a panel discussion with Life Sciences Concentration Advisors on April 15. Elias A. Shaaya ’12, who is a Crimson editorial editor, said that he is considering concentrating in HDRB after learning more about the concentration during the Advising Fortnight kickoff...
...Diaghilev’s Ballets Russes, 1909-1929: Twenty Years that Changed the World of Art,” has been organized by the Harvard Theatre Collection at the Pusey Library, which features more than 200 original documents and art works and is free of charge and open to the public. On April 16th, the OFA Dance Program presents “Dancers’ Viewpointe 9” at the New College Theater, featuring student dancers and choreographers, as well as Associate Artistic Director and Choreographer of Ballet Nacional de Mexico Jaime Blanc?...