Word: opened
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Dates: during 1990-1999
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...whole is really going to missthe Kielys," said Jerald M. Korn '00. "I myself amgoing to miss them a lot, because, in spite ofrandomization, they really support a Houseidentity, not only in being friendly, but that theHouse should retain the kind of atmosphere it hadbefore randomization. An open one, one verysupportive of theater and things like that...
When Guys and Dolls opened on Broadway in the '50s the show's cast of gamblers, showgirls and missionaries, Manhattan setting, and swinging tunes buzzed audiences and quickly became one of the first musical theater classics. Played in all kinds of settings since, with casts ranging from the pathetically pre-teen to the deaf and geriatric, Guys and Dolls has proven difficult to ruin, remaining everyone's favorite for its lovable plot and classic '50s show tunes. Harvard, which according to director Colleen McGuinness '99 is predisposed towards "modern, very smart shows" rather than "big show stopper classics...
During a morning press conference, Hutchison, who is widely expected to seek a second full term in the Senate in 2000, told reporters she is also keeping her options open for a White House run sometime in the near future...
...vocally--his voice is full-bodied and intense, if at times in a middle vocal range that makes it hard to project--but acting-wise, Rojas has fallen into the the trap of the magnificent singer who is plauged with an inability to act convincingly. He did seem to open up through the course of the opera, but his slightly grotesque nuzzling of the deathbed-ridden Violetta seemed contrived and ingenuine...
...virtually all respects, the Aussies were not here to show off. Even their decision to open with contemporary South Australian composer Graeme Koehne's Elevator Music, complete with maracas, hypnotic blues lines and African drum rhythms, was not meant to be flamboyant as it was meant to be fun. It seemed that their intention was to enliven the audience...