Word: opera
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Dates: during 1930-1939
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...board of directors were casting about for a successor to Maestro Arturo Toscanini, just retired. Shortly after they signed up Germany's famed Wilhelm Furtwangler it was announced from Berlin that Conductor Furtwangler had accepted the high, Nazi-dominated post of Generalmusikdirektor at the Berlin State Opera. Thereupon irate Philharmonic-Symphony subscribers demanded, and got, Conductor Furtwangler's immediate resignation from the Philharmonic-Symphony post (TIME, March...
...town of Melrose, Mass. In Manhattan, where she went to study, she was offered a chance to sing small parts at the Metropolitan. But Soprano Farrar wanted a big chance; she refused, went to Europe to continue her studies. At 19 she was already an admired figure in European opera. At the Metropolitan, when she returned famous, she rubbed arias for 16 consecutive seasons with such famed songsters as the late Enrico Caruso and Antonio Scotti, she sang some 29 roles, played the most famous of them, Madame Butterfly, nearly 100 times in Manhattan alone...
...glamor girl, more of a conscientious craftswoman, is 1938-model Prima Donna Lotte Lehmann, who last month also published an autobiography.† Though overshadowed in the public eye by the more spectacular Kirsten Flagstad, German-born Soprano Lehmann has, for five years, been rated tops by Metropolitan opera connoisseurs...
...Pilsener is from champagne, Soprano Lehmann writes much better. The daughter of a small town bookkeeper who wanted her to be come a respectable stenographer or school teacher, Lotte Lehmann made a very gradual climb to stardom, worked her way laboriously through bit parts at second-rank German opera houses. It was not until the London Covent Garden season of 1923 that she won international fame. But once won, that fame stuck like well-swabbed glue...
...Monte Carlo has acted like a French Cabinet in a crisis. Only expert bystanders have been able to puzzle out its complicated tangle of splits, mergers, lawsuits, reorganizations. Last week, as the troupe, now sponsored by Universal Art, Inc., started its U.S. season in Manhattan's Metropolitan Opera House, balletgoers got their first chance to see the practical results of this confusion and commotion...