Word: opera
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Dates: during 1970-1979
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...MacNeil-Lehrer Report is producing a program about college courses on the art of soap opera production and appreciation, Witty said yesterday. Theater, sociology and communications departments at more than 20 colleges in the United States offer such courses, he added...
...real show was inside, however, and what a show it was. Audience and TV viewers alike were treated to a full-scale display of all the elements that can make opera truly grand: a masterpiece of the repertory-Verdi's Otello-opulent staging, brilliant conducting by Met Music Director James Levine, and a cast of top singers giving a blazing performance...
Baritone Sherrill Milnes' lago was a virile, magnetic figure, believable as a military officer, charming when he needed to be, capable of holding his twisted, demonic drives in check with a keen intelligence. No moment in the opera was more splendidly sung or powerfully acted than the second act S i, pel ciel, with Otello looming over him with upraised hand, like a malign marionette master. In this scene Verdi transcended Shakespeare, said Shaw. Watching Domingo and Milnes, one could only agree...
...only should, but must. TV cameras are in the opera houses and concert halls to stay. More and more broad casts of live performances are scheduled, mostly for PBS. The Met, which experimented with them as early as 1948 and began them on a regular basis in 1977, will do three more this season for North America, plus one to be beamed directly to Europe. A joint Joan Sutherland-Marilyn Home recital next month will begin the Emmy award- winning Live from Lincoln Center series of six vocal, instrumental and dance programs. Coverage of perhaps another dozen special events...
Hard-pressed music administrators, already adept at the Trustee Talk, the Backstage Rallying Cry and the Bargaining-Table Bluff, now have to add another number to their repertories: the Intermission Chat. It gets results. The San Francisco Opera has received 35,000 requests for the souvenir program it offered on a telecast of La Gioconda two weeks ago-some containing unsolicited contributions. To be sure, an episode of Mork & Mindy is seen by 44 million viewers, whereas a top-rated ballet or opera reaches only 8 million or 9 million. But this is easily twice the usual audience...