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There’s nothing inherently modern about John Eccles “Semele.” Written at the beginning of the 18th century, the Baroque opera narrates an Ancient Greek myth about a mortal protagonist whose jealousy for her divine lover costs her her life. But Harvard Early Music Society’s production of “Semele,” which ran this past weekend at the New College Theatre, manages to spruce up the antiquated setting quite a bit, perhaps predictably arranging the action in America’s own period of mythical free love...

Author: By Marissa A. Glynias, CRIMSON STAFF WRITER | Title: ‘Semele’ Succeeds in Making Opera Feel Modern | 10/26/2009 | See Source »

...ambition and her desire to contend with Jupiter as an equal can be likened to the women’s movement of the 1970s, he suggests. And though this is not the focus of the performance, it is certainly an underlying theme that helps lend the opera some contemporary relevance...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Semele’ Takes a Modern Tone | 10/23/2009 | See Source »

...Semele” is an intriguing challenge, simultaneously ancient and contemporary; but the cast and crew hope the interplay between the baroque and the psychedelic, between the light and the dark, will help “Semele” bridge the ages and stand as a uniquely modern opera...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: ‘Semele’ Takes a Modern Tone | 10/23/2009 | See Source »

...National Law Journal named him "Lawyer of the Year." He is married with three adult children. He enjoys opera, classical music and cigars. (See pictures of "The American Economy: Down...

Author: /time Magazine | Title: Compensation Czar Kenneth Feinberg | 10/23/2009 | See Source »

Quotes By: • "When I was 9 years old, I saw Groucho Marx in A Night at the Opera. I was hooked for life." - Describing how he first developed an interest in opera and classical music (New York Times...

Author: /time Magazine | Title: Compensation Czar Kenneth Feinberg | 10/23/2009 | See Source »

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