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...Staging the obscure poem might seem an unusual career choice for producer and director Wilson, a native of Texas who has long been pre-eminent in the highbrow world of experimental theater. His production of Philip Glass's Einstein on the Beach, presented at New York City's Metropolitan Opera in 1976, was a breakthrough for avant-garde theater in the U.S. Since then he has become best known for his austere, abstract interpretations of the classics, from Shakespeare to Wagner...

Author: /time Magazine | Title: Puttin' on the Myths | 3/8/2004 | See Source »

...score by the Indonesian composer Rahayu Supanggah. In Singapore, the show will have lavish sets and costumes constructed from fine Javanese batik. Yet for Wilson, the key to any successful production lies not in its music or props but in the structure of the show, whether it be an opera starring Jessye Norman, an evening of rock theater with Lou Reed?or the staging of an ancient Bugis epic. "Paris is a beautiful city because it has a beautiful structure," he says, explaining that a harmonious overall pattern is more important than any of the individual elements that fill...

Author: /time Magazine | Title: Puttin' on the Myths | 3/8/2004 | See Source »

...were still shaking his maracas, he'd most likely head for Universal Playground, the hugely popular outdoor festival club. After problems with the plumbing, the joint is now jumping. The same could be said of Page's festival, which runs through March 14. When he inherited it from Californian opera director Peter Sellars, the biennial event was not in good shape. Sellars had tried to explode the traditional multi-arts model by pouring more money into film and grassroots programs. But his quest for a communal love-in turned into war with the festival's board. Box office and sponsorship...

Author: /time Magazine | Title: In Leaps and Bounds | 3/8/2004 | See Source »

Fonseca, an economics concentrator, was vice president of Harvard-Radcliffe Television (HRTV) and directed HRTV’s soap opera, “Ivory Tower...

Author: By May Habib, CRIMSON STAFF WRITER | Title: Service Honors Fonseca's Life | 3/5/2004 | See Source »

...West End and Broadway musical by Andrew Lloyd Webber and Tim Rice arrived on screen a few months after "Godspell." The first rock opera transferred to the stage, it was calcified in the made-in-Israel film version by Norman Jewison - who, if you're wondering, is not Jewish. Blond-haired, blue-eyed Jesus (Ted Neely) faces off against a black Judas (Carl Anderson). The show had two hit songs, the anthem "Superstar" and the ballad "I Don't Know How to Love Him," but its theatricality got lost out there in the desert...

Author: /time Magazine | Title: Jesus Christ Movie Star | 2/29/2004 | See Source »

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