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...million-dollar yachts chase rust-stained dinghies between the cream-and-green ferries on the harbor; ships like concrete office blocks glide under the Harbour Bridge to the container wharves, past tourists beaming over the gunwales of replica 18th century sailing vessels. The twin architectural highlights of Bridge and Opera House flank a modern CBD that seems to rebuild itself every few years, while an ocean of agreeable, if bland, suburbs unrolls along the highways that linked the rest of Australia to the nation's gateway port. All around, the beauty of the bush enfolds the city in its embrace...

Author: /time Magazine | Title: Hitting Its Stride | 9/13/2000 | See Source »

When the Olympic torch bobs up the Opera House steps on Games eve, the two will blur even more. Schofield, for one, doesn't see why the Olympic ideals of "faster, higher, stronger" can't also apply to the arts: "We can measure our performance against the world's best practice, our companies against other companies, just as athletes measure themselves against competitors from other countries." Let the arts begin...

Author: /time Magazine | Title: Arts Take Their Mark | 9/13/2000 | See Source »

...glaring menace, Karelin--who weighed 15 lbs. at birth--has a gentle side. A fan of opera (particularly Mussorgsky), ballet and theater, he is especially fond of poetry and has written verse. This Bunyanesque figure is a husband and the father of three children, including a daughter who was born this year...

Author: /time Magazine | Title: The Summer Olympics: Alexander Karelin | 9/11/2000 | See Source »

...case of Betty Sizemore (a divinely innocent Renee Zellweger), the effect is a spectacular one. A hash-house waitress in Fair Oaks, Kans., she has always been a fan of A Reason to Love, a television soap opera of the General Hospital type. Traumatized, in what the shrinks call a fugue state, she completely enters the soap's slightly tacky alternative reality. Convinced that its leading hunk, Dr. David Ravell (the amusingly actorish Greg Kinnear), is her long-lost fiance, she sets off for Los Angeles, intent on rekindling this imaginary old flame...

Author: /time Magazine | Title: Cinema: Comprehensive Care | 9/11/2000 | See Source »

...script's lines. Zellweger blooms in this context. Her naivete is radical, of course, but that imparts a fierce serenity to her quest. Mostly, the people she encounters on the road and in Los Angeles quickly come to understand that she is off her rocker--except the soap-opera folk, who think she's an actress going to any lengths for a job--but there is such sweetness in her determination, such an endearing faith in the destiny she alone perceives, that they help her along. Zellweger is lovely in the role...

Author: /time Magazine | Title: Cinema: Comprehensive Care | 9/11/2000 | See Source »

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