Word: operettas
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Dates: during 1960-1969
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...American Savoyards. A different, excellently done Gilbert & Sullivan operetta each week. This week: lolanthe...
Accompanied by a piano and a Hammond organ, a 23-member company calling itself American Savoyards does a different Gilbert & Sullivan operetta each week, has won so large a following that it has already staged second repeat performances of H.M.S. Pinafore, The Mikado and The Pirates of Penzance. An idea of rare originality is realized in The Fantasticks, a musical in masque form based on Rostand's Les Romanesques. Since last spring, Jerome Kern's Leave It to Jane (1917) has been exploiting a rich vein of nostalgia: snowy-browed patrons go back and back again, are beginning...
These tinkly lyrics are not from a vintage operetta but from one of the best-and in a sense most modern-productions ever accorded Mozart's Don Giovanni. For all the Met's fine performances this year, the NBC Opera Company's TV version last week stood out as a high point of the opera season. Usually, English translations of opera have the incongruous effect of a grey flannel suit at a fancy dress ball, but this time Poet W. H. Auden and Collaborator Chester Kallman managed to provide language that was not ridiculed by the music...
...Always a quick study, he could memorize his homework with a reading, and his A record in high school was marred by only one B, in Latin. In high school, too, he was into everything: he played baseball, basketball, football, ran the half-mile, sang second tenor in the operetta, blew the baritone horn in the school band, played piano. He was a Life Scout, captain of the debating team (his coaching methods were successful enough to propel his kid sister into the state declamation championship), and, inevitably, he was class valedictorian. A talent for leadership, too, was early manifest...
...hourglass gown, but wearing no makeup ("Lipstick is unbecoming to me''), Soprano Vishnevskaya showed clearly why she is a Russian favorite. Her high spirits may stem from the fact that she started not in grand opera but in musical comedy. She sang at the Leningrad Operetta Theater during the war, sandwiching performances between stints of rubble clearing in the streets. In 1952 she graduated to the Bolshoi Opera, is now preparing the leading role in Shostakovich's Lady Macbeth of Mtsensk. Married to famed Russian Cellist Mstislav Rostropovich, Soprano Vishnevskaya has two daughters, lives comfortably...