Word: operettas
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Dates: during 1960-1969
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...operetta rested on Alien, Alexis, and the sorcerer (it doesn't, so don't worry), it would have only one really strong leg. Miss Kimball sports a magnificent red wing and a voice to match; her eyes and other accoutrements rove interestingly. She, like Constancy and Dr. Daly, is fun to watch and hear. Alexis, unfortunately, cannot sing, but he overcomes this handicap in the wisest way: by singing loudly and acting well...
With one eye on The Beggar's Opera, Bart has contrived a sort of lovable rogues' operetta, Oliver! is chockablock with songs that are as straightforward, single-minded and rhythmic as a choo-choo train, and they do keep the show steaming briskly and more or less merrily along. Five months on the road have given the company the treacherous confidence, on reaching Broadway, to overplay characters that were already over written to the point of caricature. The cast also knows where all the laughs are buried, and it squirrels them out with stagy anticipatory glee. Bruce Prochnik...
...made its debut with the opening of the $15.4 million Philharmonic Hall. It is still surrounded by a pocked and chugging wasteland of bulldozers and derricks, power shovels and cement mixers, which will eventually be a 14-acre landscaped park containing a repertory theater, a theater for dance and operetta, a library-museum, a building to house the Juilliard School of music, and (by 1965) the new $35 million Metropolitan Opera House. When completed in 1966, Lincoln Center will be a $142 million complex, and the most important cultural center...
...most people, the mere mention of a Viennese operetta conjures up a waltz of post-Johann Strauss composers-Franz Lehar (The Merry Widow), Oskar Straus (The Chocolate Soldier), Emmerich Kalman (Countess Maritza). But beside their names belongs another: Robert Stolz. In his long career, Stolz has written almost as many operettas as the other three combined. Now 82. Stolz is the grand old man of operetta, the sole survivor of the golden age of popular Viennese music (1910-25). At Austria's open-air amphitheater on Lake Constance last week, Old Composer Stolz was still at work. Tall...
...podium turned to acknowledge the gusty applause. The locale of Trauminsel may have been Mexico and the sets Utopian, but no one who had ever heard a Viennese waltz could mistake the theme-a simple case, as Stolz himself put it in the title of his most famous operetta, of Two Hearts in Three-Quarter Time...