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Word: ops (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...invented constructivism? The question might once have seemed academic. But in the past decade as art has trended ever more sharply in the direction of hard-edged abstract geometry - in color-field and op painting, in kinetic and minimal sculpture, constructivism has been increasingly recognized as a wellspring of ideas that many of to day's artists find congenial and espouse as their...

Author: /time Magazine | Title: Sculpture: The Most Constructive | 8/9/1968 | See Source »

SCHUBERT: String Quartets Nos. 13, 14 and 15 (Columbia ML 4831/2/3); HAYDN: Six Quartets, Op. 76 (Columbia ML 4922/3/4). Masterpieces of chamber music performed by the elegant Budapest Quartet...

Author: /time Magazine | Title: Recordings: Last Chances for Mono | 7/26/1968 | See Source »

...meant to give even the most inexperienced viewer a way to express compositions of his own, to allow him to share with the artist in the pleasure-and catharsis-of creation. But if catharsis implies tragedy, to most gallery-goers optional art ranks as high comedy. Milwaukee digs op primarily because...

Author: /time Magazine | Title: Exhibitions: Now, Op Is for Options | 7/19/1968 | See Source »

Unity in Kinship. Documenta uses three castles to signal three trends. Striking the keynote in the Fridericianum are the signal-flag squares of German-born Josef Albers, who lives and works in the U.S. They are accompanied by the shaped, geometric and op canvases of his many European and American admirers. A room is lit with the disks of California's Robert Irwin (TiME, May 10). Highceilinged, cathedral-like galleries are filled with the gigantic rainbows of U.S. color-field painters and the authoritative sculpture of the U.S. minimalists...

Author: /time Magazine | Title: Exhibitions: Signals of Tomorrow | 7/12/1968 | See Source »

Still, aside from the U.S. exhibit, there were numerous diversions. At the British pavilion, there was a dizzyingly impressive retrospective of Bridget Riley's op eyebinders, and the slender, stark sculptures of Phillip King-possibly the only man alive who has successfully united the minimal and the baroque. In the Japanese pavilion, the most promising young artist was clearly Jiro Takamatsu, 32, whose large-scale pastel platforms were built on weird exaggerations of Renaissance perspective, aimed at destroying the balance between real and imaginary worlds...

Author: /time Magazine | Title: Exhibitions: Venice, After All | 7/5/1968 | See Source »

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