Word: ops
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Dates: during 1960-1969
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John Cahaly, son of world famous Ralph Cahaly and co-owner of Cahaly's Market, will open an op-pop-psychedelic shop on Thursday afternoon. "Serendipity," next door to the staid, venerable market, adds a seventh element to the flower power battle in the Square...
...associates. "We can't be afraid to admit we've been wrong." Rarely has Johnson made such an admission-as John F. Kennedy did after the Bay of Pigs. Quite the contrary. Last week, for example, with problems swirling all around him, he told the National Co-op Conference in Washington: "With all of our complaints, with all of our sufferings, our inconveniences, our setbacks, our frustrations, I think that all of us have good enough judgment to know that we are on the way, that we are moving, that we are getting better every...
That much of the artistic fallout into fashion and decor-from op dresses and psychedelic posters to Andy Warhol soup-can glasses and kitchen design-is by nature transitory does not bother him. Using art as home decoration, he argues, "gives it a broader base." Nor is he overly moved by critics such as Clement Greenberg, who laments that too-happy acceptance of the new has killed the tradition of the avantgarde. Greenberg complains that the days of the great innovators are gone, that pop, op and minimal are not true avant-garde art, but merely "novelty art." The only...
Such a bond can cost a man a stiff $400-$500 a year - if he can get it. Op erating with an $85,000 grant from the Department of Health, Education and Welfare, Bonabond provides such bonds cheaply and is a potent force in narrow ing the gulf between employers and men with prison records. Bonabond lists 355 vouched-for employables in its files, and in the past two months has placed people in 98 jobs, ranging from porter to police-community relations aide for the Urban League...
...Beethovan Mass in C, Op. 86, Joel Lazar's Cantabrigia Orchestra joined the chorus to give a performance which had moments of both inordinate inspiration and egregious sloppiness. Coordination between the two forces was haphazard, this due to Schmidt's sacrificing clarity of beat in favor of a continuous, feverish intensity of motion. He huffed and he puffed, he grimaced with grief, he smiled with beatific joy. Sometimes he succeeded (usually in fortissimo passages), but most often he was unable to convey any unified conception of this difficult and eccentric master-piece. Of the four vocal solists, Barbara Wallace...