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Word: ops (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...young artists in Russia today are gluing together unrealistic collages, op artists are opting for eye-twisting geometry, and there is even a group of painters in their 30s and 40s who throw together unsocialist images just because they feel like it. The Western world sees precious little of their work, for the Moscow Union of Soviet Artists is dominated by middle-aged academicians who learned their trade in the heyday of Stalinist realism. Their ponderous paeans to Lenin and heroic bobbin tenders go into official displays such as the Venice Biennale and Expo 67. Only an occasional private exhibition...

Author: /time Magazine | Title: Painting: Unrealism in Moscow | 6/30/1967 | See Source »

...Waddell Gallery, Fifth Avenue's puckish furrier, Jacques Kaplan, is parading an entire "art" show done in fur. Zebra skins are expanded into compositions of svelte veldt op. Big Brother Is Watching You (price $950) is the name of a jaguar hide with two peering glass eyes. One eye winks...

Author: /time Magazine | Title: Exhibits: The Pranksters | 5/26/1967 | See Source »

...that it is rarely used even for visiting royalty. Last week Queen Elizabeth, who had never seen the ceremony herself, ordered it performed to mark the state visit of Saudi Arabia's King Feisal, the somber and bearded monarch who has emerged as leader of the moderate forces op posing the pan-Arabism of Egypt's Gamal Abdel Nasser...

Author: /time Magazine | Title: The Middle East: A King's Plight | 5/19/1967 | See Source »

Last year only 19 states observed Daylight Saving Time on a statewide basis, while 17 others practiced local op- tion and 14 stayed on Standard Time the year round. The result was a chaos of conflicting time patterns. This year was supposed to be different. Reason...

Author: /time Magazine | Title: Customs: Running to Daylight | 5/12/1967 | See Source »

...demonstrate the indebtedness of twentieth-century music to Schoenberg's pioneering efforts, as well as to pay the composer a personal tribute, Blackwood followed the Five Pieces with his own Three Short Fantasies, Op. 16 and John Perkins' Caprice (1963), which Blackwood commissioned when the two composers were colleagues at the University of Chicago. Both works begin with Schoenbergian flurries of pianistic cacophony; both depend for internal variety on the alternaton of different timbres, registers, and pianistic effects; and both are long--perhaps too long for the basically epigrammatic nature of the twelve-tone idiom. Without demeaning the compositions themselves...

Author: By Robert G. Kopelson, AT PAINE HALL MONDAY NIGHT | Title: Easley Blackwood | 5/3/1967 | See Source »

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