Word: orã
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...OR??€™: NATALIA GONCHAROVA’S DESIGNS FOR THE BALLETS RUSSES. Inciter of the Moscow pre-World War I art scene, Natalie Goncharova designed stage sets and costumes for the Ballet Russes production of Le coq d’or, an opera-ballet premiered in Paris and London in 1914. This exhibit brings together Goncharova’s stage and costume designs, curtain studies, and preparatory drawings from the Harvard Theater Collection; the Marion Koogler McNay Art Museum, San Antonio; and the Museum of Modern Art, New York. Through August 24. Hours: Monday through Saturday...
...OR??€™: NATALIA GONCHAROVA’S DESIGNS FOR THE BALLETS RUSSES. Inciter of the Moscow pre-World War I art scene, Natalie Goncharova designed stage sets and costumes for the Ballet Russes production of Le coq d’or, an opera-ballet premiered in Paris and London in 1914. This exhibit brings together Goncharova’s stage and costume designs, curtain studies, and preparatory drawings from the Harvard Theater Collection; the Marion Koogler McNay Art Museum, San Antonio; and the Museum of Modern Art, New York. Through August 24. Hours: Monday through Saturday...
Plebes are not allowed to show that they recognize people they know. The boys would get in trouble if we waved or??€”God forbid—shouted their names, so we wandered past cautiously. Uniforms and shaved heads make the midshipmen a homogenous mass, but there was no mistaking Adam’s swagger or Brad’s jaw line. I felt a little swell of pride at my friends in their crisp white uniforms...
...ground in front of them. I struggle to replicate the expressionless gaze I so admire in the Square’s bride and angel living statues. I stare straight ahead and try not to smile, not to make eye contact with the countless cruel passersby who ignore us or??€”even worse—approach us and then reconsider. One woman gives us the thumbs up; another comments to a friend that the performance art was better in Paris...
...them in an arbitrary linear structure which undercuts the extent of their coherence. What perverse monsters we are to do this for a grade. It’s bad enough that we distort the world with notions of cause and effect, presence and absence, positive and negative, either and or??€”conventions of thought which become fetters when naturalized as logic. After the organic joy of thought has been exterminated, we drive the mental engine onward through the formal ruse of argument. Our very ideas are bellicose, formed to know their enemies and seek to destroy them. Our delight...