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Just last week WYNTON MARSALIS, musician, composer and keeper of the flame of jazz tradition, was awarded the Pulitzer Prize for Blood on the Fields, a three-hour, 22-movement oratorio for orchestra, ensemble and vocalists. It was the first jazz-based composition to win the Pulitzer since music was added as a category in 1943. The prize clinched his position as the man doing the most to bring jazz, a great art form of the 20th century, into the 21st...

Author: /time Magazine | Title: WHAT EVER HAPPENED TO THE CLASS OF 1996? | 4/21/1997 | See Source »

Secretary of State Warren Christopher was, therefore, appropriately attired in the businessman's pin-striped suit and power tie when he visited the Kennedy School yesterday. To surprisingly sympathetic ears, he delivered a standard oratorio emphasizing America's continuing objective to maintain the dominance of U.S. business in the international marketplace. Open markets, he said, will be the historical "signature" of the Clinton Administration...

Author: By Joshua A. Kaufman, | Title: On State Business | 1/19/1996 | See Source »

...Milt Grayson. A veteran of the Ellington orchestra, Grayson charmed the audience with his thick bass voice as he worked through renditions of "Do Nothin' Till You Hear From Me" and "Love You Madly." Marsalis ended the evening with his own compositon "God Don't Like Ugly" from his oratorio Blood on the Fields...

Author: By John A. Capello, | Title: Swinging With Marsalis | 10/19/1995 | See Source »

Writing Home gives the reader a sporting chance at understanding Bennett; it is as close to an autobiography as this gentleman is likely to vouchsafe. And in its evocations of Bennett's early years, it offers a virtual oratorio of embarrassment. His father, the butcher, played double bass in a jazz band and produced herb beer at home but succeeded at neither. His prim "Mam" made a religion of getting along; eventually she retreated into what Bennett calls "her flat, unmemoried days," like a meeker George III. Young Alan sought glamour in Leeds' double-decker trams, musty mystery...

Author: /time Magazine | Title: BARD OF EMBARRASSMENT | 2/27/1995 | See Source »

...highlights: the American premiere of the composer's second piano sonata by pianist Boris Berman, the American debut of his Symphony No. 6 in Washington under Rostropovich's baton, and conductor Leon Botstein's North American premiere with the American Symphony Orchestra of Schnittke's Faust Cantata, an oratorio version of an opera in progress. Against all odds, Schnittke is among the most commissioned of living composers...

Author: /time Magazine | Title: MUSIC: The Sound of Russian Fury | 3/14/1994 | See Source »

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